The Good People
- Written by:
- Read by:
Unabridged CD Audio Book
- Number of CDs:
13 hours 37 minutes
September 27 2016
- Available Date:
October 01 2016
- Age Category:
Fiction; Australian Fiction; Historical Fiction
Longlisted Walter Scott Prize for Historical Fiction 2017
'The Good People takes us straight to a place utterly unexpected and believable, where amidst the earnest mayhem people impose on each other, there is no patronising quaintness, but a compelling sense of the inevitability of solemn horrors.'
Thomas Keneally, winner of the Booker Prize
The long awaited new book from award-winning Australian novelist Hannah Kent.
Inspired by a true story.
In 1825, in a remote Irish valley lying between the mountains and Flesk river of Killarney, three women are brought together by strange and troubling events.
Nora Leahy, a widow, has lost her daughter and her husband in the same year, and is now burdened with the care of her grandson, Michael. The boy cannot walk or speak and Nora has kept him hidden from neighbours, who might see in his deformity evidence of supernatural interference.
There is rumour that Michael is a changeling, a ‘fairy stock’, and the cause of the ill luck that swarms the valley.
Down by the river, an old woman known as Nance Roche lives alone, acting as a ‘doctress’ to the community, a person said to possess knowledge from the Good People that enables her to cure inexplicable ills. With the arrival of a new priest and his determination to cleanse the valley of superstitious practices, the purity of Nance’s actions is called into question.
As misfortune begins to befall Nance’s patients and her need to assert her importance to the community intensifies, Nora Leahy brings Michael to be cured. The women begin to banish the changeling and restore the healthy child, but as their desperation increases, their folkloric practices become more dangerous, until all their lives are in danger.
'Hannah Kent’s prose is extraordinarily terse and precise.'
'Kent offers a wealth of engaging detail ... always a sign that an author has a deep and sympathetic knowledge of her subject.'
New York Times